视频推荐
荆棘电影高清完整版在线,中餐厅第七季
电影票房哪里看,诚实:好女孩
电影票买完可以退吗,破戒
理轮电影,取立屋本舗ベビィ 闇金絵巻
停不了的爱完整电影,THE MYSTERY DAY~追踪名人连续事件之谜~
每天影视,失衡凶间之罪与杀粤语
日本大尺度电影老师,迈耶斯家的圣诞节
电影牧人之子插曲,神拳无敌2020
快播电影在线观看,神腿铁扇功
四川电影电视学院几本,神鬼任务3:惩罚
人人影视电脑版下载,碧血宝刀
91电影成年影院,爱在云霄
eeuss草民电影,守法公民
秋霞高清电影看看,迷情庄园
绿岛电影院为您提供最新,制服诱惑2:地下法庭
vip影视卡怎么用,你的情歌
十一上映的电影有哪些,刺杀小说家
都市之影视穿越大反派免费,萨扬 干旱之路
胡锦主演的电影,持金画笔的男人
股市电影推荐,2003赤裸天使
电影的元素,赤裸羔羊4蜜桃迷色
好莱坞电影院,赤裸反击
影视动画培训哪里找,湖畔
绿皮书电影故事梗概200字,空中营救
幻想巨塔电影,积奇玛莉(普通话版)
爱沙尼亚电影1944,回归大地
电影恩娇在线观看,你是个麻烦的未婚妻钻石篇
露点的电影,赌城恩仇
南宫北普陀影视城免费门票,亡命救赎
tvc影视制作,最后的警察 电影版
银饰 电影,团子大家族 剧场版
北野望电影在线观看,极夜
八一影视软件,严密的关系
韩国电影2020r,精武家庭

没有和解

类型: 剧情,剧情片
地区: 其它
年份: 1965
主演: Heinrich Hargesheimer,Carlheinz Hargesheimer,Martha Staendner,达尼埃尔·于伊耶,Henning Harmssen,Ulrich Hopmann,Joachim Weiler,Eva-Maria Bold,Hiltraud Wegener,Ulrich von Thüna,Ernst Kutzinski,Karl Bodenschatz,Heiner Braun,Georg Zander,Lutz Grubnau,若阿内斯·巴尔斯基,保罗·埃塞尔
导演: 让-马里·斯特劳布,达尼埃尔·于伊耶

剧情介绍

The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
热门推荐